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Oakland Tribune, May 29, 2004

Arts building may honor dancer

Move is afoot to rename Alice Arts Center for Casquelourd

By Laura Casey

Auguste Leonard Malonga "Casquelourd," killed last year on Father's Day in an accident caused by a suspected drunken driver, was more than a drummer and dancer who dedicated his life to promoting African culture in Oakland.

He was an Oakland arts pioneer who never gave up. Every Saturday for 25 years, he taught African dance in Oakland, his longest tenure at the Alice Arts Center. And when there was a threat to close Alice Arts Center, Casquelourd led the public crusade to keep its doors open through parades, letter campaigns and marches.

His commitment to arts in Oakland, and especially the Alice Arts Center, is the reason his family and friends want to rename the downtown arts building the Malonga Casquelourd Center for the Arts.

" My father had a long history in not only just the dance and arts community but in giving to the arts community," said Casquelourd's oldest son, Kiazi Malonga. He served at the Alice Arts Center since moving his dance company to the building when it opened in 1987 and back in 1993 after a renovation.

Casquelourd was one of the best-known Congolese dancers in the world, and an accomplished drummer, choreographer, singer and professor.

He was born in Douala, Cameroon, and spent years apprenticing at Community Fetes, learning Congolese cultural traditions. He became a principal dancer of the National Congolese Dance Company, then resident choreographer and principal performer with Le Ballet Diaboua, a Congolese repertory company in Paris.

Casquelourd helped found Citicenter Dance Theater in downtown Oakland, which is still at the Alice Arts Center. Over the years he brought dignitaries from around the world to teach and speak at Alice.

" Whenever they came here he would set up workshops so they could share the culture with the community," said Casquelourd's widow, Cynthia Phillips.

He also established Fua Dia Congo, a nonprofit performing arts company, the Congolese Dance and Drum Camp, and Ballet Kizingu, the youth division of Fua Dia Congo. He taught at San Francisco State University for 26 years.

Alice Arts Center was built in 1927 and originally housed Oakland's women's clubs like the Alameda County Birth Control League and the Oakland Opera Lecture Club. The Mediterranean-style building held banquet halls, an underground swimming pool, rooftop tennis courts, and a 1,000-seat theater.

The city signed a 20-year lease-to-buy option on the property in 1986 and turned it into the Alice Club Hotel and Arts Center. The city paid about $8 million to renovate the building in 1993, changing the name to Alice Arts Center.

Those who knew Casquelourd said attaching his name to the building would mean a lot to the Oakland arts community.

" Who is Alice?" Dominique Walker, 18, said. She danced with Fua Dia Congo since she was 7 years old. "Why wouldn't Alice Arts Center be named after a man that brought dance to the center? He was the first African teacher to ever arrive at the Alice. Why shouldn't this be his center?"

Kiazi Malonga brought the idea to Councilmember Nancy Nadel (Downtown- West Oakland), who supports his efforts and brought the issue before the council. Nearly 300 members of the Oakland dance and arts community signed a petition to support the name change.

The Rules Committee endorsed the name change, and sent the matter onto the full council, which will take up the issue on June 1. Council President Ignacio De La Fuente (Glenview-Fruitvale) was absent, and Councilmember Larry Reid (Elmhurst-East Oakland) abstained from the vote.

Reid said he could not support Councilmember Nadel's proposal because she would not endorse his desire to rename a stretch of Market Street in West Oakland after the former pastor of St. John's Missionary Baptist Church.

The cost of renaming the center will be minimal, according to a report from the city staff.

Nadel remembered Casquelourd as an extraordinary drummer and a inspiration to the community.

Casquelourd's daughter, Muisi-Kongo Malonga said the renaming of the Alice Arts Center would be a fitting tribute to her father, who she said worked tirelessly to ensure that the center remained open to the public.

" It is quite fitting that the place where he dedicated his life should honor him," Malonga said. "He is a pioneer, and an ambassador."

Rashida Knox, 29, one of Casquelourd's students, said the center's new name would send a message of hope and inclusiveness to the community.

" His name is synonymous with pride and fearlessness," Knox said.

Staff writer Heather MacDonald contributed to this report.

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